Tuesday, January 27, 2009

Anti-unionization propaganda, Dave style

Ahh, unions. The democrats love 'em, the republicans hate 'em. Some of us belong to them, some of us don't. Actually, statistically, most of us don't. In yet another email exchange of ideas / ideals Bill and I sparked a conversation about the pros and cons of unionization.

Mostly cons. One of the only pro-union points that was made came from Bill, who brought up how unions can protect from unfair wages and employee treatment. He used Wal-Mart as an example of a company that would benefit from unionization. In my typical fashion I disagreed with him. What follows is my retort, read it at your own discretion. If you disagree with me, let me know. If you hate me for what I said... first amendment. Deal with it, fucker!

Having formerly been a reluctant union member for more than 12 years (I guess the 13th year doesn't count as I quit) I can say that unions are a terrible, terrible thing to happen to a company. You've already cited my reasons against unionization. I'd like to touch base on something you brought up though concerning Wal-Mart employees.

Its easy to think of Wally World employees as being underpaid, over-worked, even somewhat abused by the company. However, does this mean they should be unionized so as to improve their situation? I say, no. My reasoning is simple: go to Wal-Mart and soak in the overall demeanors of the employees there. Do you see rogue scholars or starving artists plugging away to make ends meet? No. Do you see potential Pulitzer caliber writers creating register tape poetry? No. What do you see?

The unemployable. The bottom of the barrel. The Fredo of the working class.

Societies all have their class systems, socialist's included. We here in America have ours: upper class, middle class, lower class. Of course there are degrees of each class. A lower-middle class American is typical. Class systems exist, and they are necessary.

In my eyes, the employment class system works in perfect congruency with the financial class system. Bill Gates is not likely going to be seen bagging groceries at the local foodatorium. Joe Smith from down the street, however, is very likely to be seen as such.

Basically you either get the jobs you're qualified for or the jobs you choose to accept. No one, and I do mean no one, wakes up in the morning and thinks "Wal-Mart is the place for me!" They choose to accept working there as a means of making whatever money they can. The employees there are not skilled labor, ergo they earn what their class deserves.

We single out Wal-Mart readily because of their bad press over labor relations. However, every retail/food services company follows the same practices. Unskilled labor = minimum wage. Skilled labor = negotiable pay. Easy as that.

Let's look at it a different way. At Shaw's, as a middle manager, I was pulling down rather good money. Did I deserve that money? One could argue either way on that matter. I worked very hard at my job, but again it wasn't the kind of work that you needed any particular skill set to perform. This is evident by the caliber of employees I so begrudingly called "peers".

Of course, then again, it took me a number of years to make the money I was making. So I suppose you could argue that I was being gifted with the rewards earned by longevity and dedication.

Also known as stupidity and complaceny.

Thursday, January 22, 2009

Rock the vote America!

This is just a quick public thought for you, my dear internet masters of the universe. Who exudes more masculinity:



OR




It's your choice, and its the choice of a new generation

Paging Doctor Bankrupt

Another fun exchange of emails yielded some very good points about medical dramas today.

Bill (in ref to House):

...and the kind of costs necessary to perform the level of care shown per patient in the show is unrealistic considering: Four FTE physicians and an untold number of tests, medical staff, pharmaceuticals, medical devices, medical supplies and malpractice insurance.

Dave (in retort):

You want to see unbridled money loss depicted in a television hospital drama, watch 'ER'. My god, having spent the time here that I have I can see why doctors panned the show's medical depictions when the series started. At any given point in time a patient in trauma will have 2-4 doctors, 3 nurses, a resident surgeon (seriously?) and various aids working in the trauma room.

One trauma room.

In reality, you'd get one, MAYBE two doctors, 1 nurse, and a nursing aid. There also wouldn't be mass chaos in the room as they would work together trying to save the patient's life. There is no yelling. The word "dammit" isn't used ad nauseam.

Also, according to the show, a horrifying number of surgical procedures are performed on the fly in non-sterile rooms. The reality is that even under extreme trauma there is no way in hell someone's chest would be ripped open, heart exposed, and standard, non-sterile medical equipment used, to resuscitate a patient. Emergency surgical procedures occur in (sit down for this one) a surgical ward, commonly known as an operating room.

Go figure.

If they wanted to show the gore and finer details of emergency surgeries then perhaps they should have named the show 'OR' and built the program around those complicated cases.

Oh wait, they did. It was called 'Chicago Hope'"

Burton versus Nolan

Only a day ago my good friend, William, and I were debating via email about The Dark Knight versus 1989's Batman. The following is my take on the two films as directly quoted from one of my emails:

I must feverishly disagree with you about The Dark Knight and it's pacing. For starters, the addition of sub plots worked very well for the film. It is hard to have empathy for Harvey Dent without having a strong foundation of what his character represents, hard to add levity to the mood without Kyle Reese's blackmail attempt (which later opens the door for one of the most excellent scenes of the film), hard to weave a plot that is slightly less derivative than most without creating a solid backbone involving the mob, police corruption, and unwavering justice in the form of Jim Gordon (and Batman I suppose).

Chris Nolan did something wonderful: he made the Batman believable. This is not to say that Tim Burton's Batman is of a lesser vision... saying that would be blasphemy. However comparing the two films is the proverbial apples and oranges situation. Tim's world is one geared more towards fantasy and the perceived comic book feeling. Nolan's world is more grit, more believability (as much as caped crusaders and severely scarred sociopaths are believable), and more human emotion.

That said, Bale makes for a very bland Batman, thus making his character the weakest in the film in my humble opinion. Michael Keaton's take on Bruce Wayne/Batman felt human. Aside from that nuisance I'd take Ledger's Joker over Jack's and Aaron Eckhart's Harvent Dent over Billy Dee Williams'.

The Batman comics are dark. Very dark in some cases. And they are serious. Read the graphic novel "The Killing Joke" and you'll see my point. Also the series "Knightfall", which I happen to own original copies of. Nolan gave the Batman reboot the look and tone (and indeed pacing) it needed to become more like the books intended it to be.

Wednesday, January 21, 2009

Give These People Peck

I'm Walter Peck, from the Environmental Protection....Agency, third district.

Tuesday, January 20, 2009

Wanted: Creative Thinking

Formula for financial success in the entertainment industry:
  • Create product
  • Market/release product
  • If product's value > product's cost, produce sequel
  • If product's value <= product's cost, deny involvement and request government bailout
  • Repeat
Well, maybe I stretched a bit on the bailout part (not by much mind you) but the formula itself holds true. We've all seen it before: a video game/movie comes out, turns into a success story, and is butchered into low-cost, high profit sequels and spin offs (see The Matrix et al).

We as consumers are exposed to this on a regular basis. Sometimes, on rare occasion, the sequel is both warranted and of high quality (see Half Life et al). More often than not, however, what we are subjected to is nothing more than a steaming pile of the digestive byproduct resulting from years of fast food consumption (see my toilet bowl).

Why do we do it? Why do we stand in line, wait with baited breath, and plunk down our hard earned dollars on what we know will likely be a let down? Personally, I've of the opinion that we have dumbed ourselves down into acceptance. Or perhaps we're so attached to the original property that we lull ourselves into believing that its brothers and sisters can do no wrong.

Example: Indiana Jones and the Kingdom of whatever the hell that movie was named. Most of us grew up with Indy in some shape or form. Either we're old enough to have seen it in theaters, young enough to have rented it on VHS, or still younger to have rented it on DVD (or purchased the Super Ultra Mega Director's Cut: Special Edition). Some 20+ years pass and along comes a sequel, or in this case a fourth sequel. Harrison Ford, being a spry 87 year old man, steps up to the plate to star in an irrelevant, yet still profitable, movie involving America's favorite archaeologist. Some plot is added so as to help ease us into believing that this makes sense, a refrigerator survives a nuclear blast, and presto, more money for Steve and George.

Our money. Yours and mine. And not in the pleasant KY Yours and Mine sense either.

As I touched base upon though, not all sequels are bad. For instance, have you ever played a bad Call of Duty game? No, of course not. How about a bad Godfather movie?

Scratch that, they made a third one. Shit.

As a long time gamer and retired movie goer I've seen the high notes and low points that are beaten out of original properties. Sometimes the pleasant surprises shut me up. More often than not my jeers are both loud and obnoxious.

There is always hope though. Indiana Jones 5 might prove me wrong.